Public Enemy featuring Anthrax – Bring The Noize
Description
“Bring the Noise” is a song by the American hip hop group Public Enemy. It was included on the soundtrack of the 1987 film Less than Zero; the song was also released as a single that year. It later became the first song on the group’s 1988 album, It Takes a Nation of Millions to Hold Us Back. The single reached No. 56 on the Billboard Hot R&B/Hip-Hop Songs chart.
The song’s lyrics, most of which are delivered by Chuck D with interjections from Flavor Flav, include boasts of Public Enemy’s prowess, an endorsement of Nation of Islam leader Louis Farrakhan, retorts to unspecified critics, and arguments for rap as a legitimate musical genre on par with rock. The lyrics also have a notable metrical complexity, making extensive use of meters like dactylic hexameter. The title phrase appears in the chorus. The song includes several shout-outs to fellow hip hop artists like Run-D.M.C., Eric B, LL Cool J and, unusually for a rap group, Yoko Ono, Sonny Bono and thrash metal band Anthrax, allegedly because Chuck D was flattered about Scott Ian wearing Public Enemy shirts while performing Anthrax gigs. Anthrax later collaborated with Chuck D to cover the song.
The song’s production by The Bomb Squad, which exemplifies their characteristic style, features a dissonant mixture of funk samples, drum machine patterns, record scratching by DJ Terminator X, siren sound effects and other industrial noise.
Critic Robert Christgau has described the song as “postminimal rap refracted through Blood Ulmer and On the Corner, as gripping as it is abrasive, and the black militant dialogue-as-diatribe that goes with it is almost as scary as “Stones in My Passway” or “Holidays in the Sun“. “Bring the Noise” was ranked No. 160 on Rolling Stone‘s list of the 500 greatest songs of all time.
It Takes a Nation of Millions to Hold Us Back is the second studio album by American hip hop group Public Enemy, released on June 28, 1988, by Def Jam Recordings and Columbia Records. It was recorded from 1987 to 1988 in sessions at Chung King Studios, Greene St. Recording, and Sabella Studios in New York.
Noting the enthusiastic response toward their live shows, Public Enemy intended to make the album’s music at a higher tempo than their 1987 debut Yo! Bum Rush the Show for performance purposes. The group also set out to create the hip hop equivalent of Marvin Gaye‘s What’s Going On (1971), an album noted for its strong social commentary. Through their production team The Bomb Squad, Public Enemy introduced a densely aggressive sound influenced by free jazz, heavy funk, and musique concrète as a backdrop for lead rapper Chuck D, who employed sociopolitical rhetoric, revolutionary attitudes, and dense vocabulary in his performances.
It Takes a Nation of Millions to Hold Us Back charted for 47 weeks on the US Billboard 200, peaking at number 42, and was certified Platinum by the RIAA in 1989. The album received widespread acclaim from critics, who praised its production techniques and Chuck D’s socially and politically charged lyricism. It also appeared on many publications’ year-end top album lists for 1988 and was the runaway choice as the best album of 1988 in The Village Voice‘s Pazz & Jop critics’ poll, a poll of the leading music critics in the US.
Since its initial reception, It Takes a Nation of Millions to Hold Us Back has been regarded by music writers and publications as one of the greatest and most influential albums of all time. In 2000, it was voted number 92 in Colin Larkin‘s book All Time Top 1000 Albums, and in 2003, it was ranked number 48 on Rolling Stone magazine’s list of the 500 greatest albums of all time, the highest ranking of all the hip hop albums on the list, and the only one acknowledged in the top 100. In the 2020 version of the same list, the album was ranked number 15, while other hip-hop albums moved into the top 100.
