The Moody Blues - Nights In White Satin

Description

“Nights in White Satin” is a song by the Moody Blues, written and composed by Justin Hayward. It was first featured as the segment “The Night” on the album Days of Future Passed. When first released as a single in 1967, it reached number 19 on the UK Singles Chart and number 103 in the United States in 1968. It was the first significant chart entry by the band since “Go Now” and its recent lineup change, in which Denny Laine and Clint Warwick had resigned and both Hayward and John Lodge had joined.

When reissued in 1972, the single hit number two in the US for two weeks on the Billboard Hot 100 (behind “I Can See Clearly Now” by Johnny Nash) and hit number one on the Cash Box Top 100, making it the band’s most successful single in the US. It earned a gold certification for sales of over a million US copies (platinum certification was not instituted until 1976). It also hit number one in Canada. After two weeks at #2, it was replaced by “I’d Love You to Want Me” by Lobo. It reached its highest UK position this year at number 9. Although the song did not enter the official New Zealand chart, it reached number five on the New Zealand Listener‘s chart compiled from the readers’ votes in 1973. The 1972 single release of “Nights in White Satin” was inducted into the Grammy Hall of Fame in 1999.

The song enjoyed a recurring chart presence in the following decades. It charted again in the UK and Ireland in 1979 reaching numbers 14 and 8, respectively. The song charted again in 2010, reaching number 51 in the British Official Singles Charts. It has also been covered by numerous other artists, most notably Giorgio Moroder, Elkie Brooks, and Sandra, and has been used in a variety of cultural mediums, including commercials and films.

Production

Band member Justin Hayward wrote and composed the song at age 19 while touring in Belgium and titled the song after a girlfriend gave him a gift of satin bedsheets. The song itself was a tale of a yearning love from afar, which leads many aficionados to term it as a tale of unrequited love endured by Hayward. Hayward said of the song, “It was just another song I was writing and I thought it was very powerful. It was a very personal song and every note, every word in it means something to me and I found that a lot of other people have felt that very same way about it.”

The melody of the song resembles that of Ben E. King‘s 1963 song “I (Who Have Nothing)“, although the instrumentation makes “Nights in White Satin” sound different.

The London Festival Orchestra provided the orchestral accompaniment for the introduction, the final rendition of the chorus, and the “final lament” section, all of which were in the original album version. The “orchestral” sounds in the main body of the song were actually produced by Mike Pinder’s Mellotron keyboard device, which would come to define the “Moody (Blues)’s signature sound”.

The song is written in the key of E minor and features the Neapolitan chord (F).

“Nights in White Satin”