“Andres” is a song by the American rock group L7. It was released as a single in support of their fourth album Hungry for Stink. The song is an apology to a friend of the band, Andres, who was hurt by someone they introduced him to.[1]
In popular culture
On October 13, 2009, the song was made available as a downloadable song in the Rock Band digital store.
Hungry for Stink is the fourth studio album by L7, released in July 1994 by Slash Records. The album peaked at number 117 on the Billboard 200 chart,[2] as well as number 2 on the Heatseekers Albums chart.[3]
In a rave review for Entertainment Weekly, Greg Sandow wrote that whereas L7’s earlier albums “were forceful and bratty”, Hungry for Stink “is far more sophisticated, with a musical surprise on nearly every track”, and cements L7 as “one of the top hard-rocking bands of any kind, gender be damned.”[9]Chicago Tribune critic Greg Kot opined that “L7 affirms that it is a great band” with their “strongest batch of songs”,[8] while Rolling Stone‘s Paul Corio praised L7’s “smart, hard neopunk” and commented that they “kick inter-gender butt by means of power chords and grunge abandon.”[17] In The Village Voice, Robert Christgau said that L7 “reverse the usual evolution” by leaning further into a grunge sound on Hungry for Stink; he credited the band for avoiding the genre’s “dull despair” and instead keeping their music “rooted in the rock and roll everyday, where it belongs.”[16]
Lorraine Ali of the Los Angeles Times was less impressed, commending L7’s return to a more “fuzzed-out” aesthetic but detecting “little genuine personality, be it a sense of irony or conviction, behind the lyrics, which are so predictably anti-Establishment that the only feeling you get from them is the band’s need to be incredibly punk rock.”[10]NME reviewer Johnny Cigarettes deemed Hungry for Stink “roughly two-thirds of a fine album” and felt that it “sags noticeably in the middle and towards the end” from a lack of memorable melodies.[11]
Retrospectively, AllMusic‘s Neil Z. Yeung found that Hungry for Stink, while “not as crisp and catchy” as L7’s previous album Bricks Are Heavy, nonetheless stands out as one of their “crunchiest, grimiest, and nastiest” records and “merits attention and appreciation for being the end of a certain era for the band, just as they were on the verge of a brief evolution before their two-decade hiatus.”[7]
